The Best Of Bolder double CD ROM was released for Gigastudio in April of 2002. It consisted of choice Material from previous Bolder libraries. This volume is a continuation of converting that library into natively programmed instruments for NI Kontakt and the Apple EXS 24. Other volumes that have already been converted
“Electro Producer Pack“ is a gigantic library of cutting edge Club Electro necessities. This Producer Pack includes everything that’s needed for a current professional electronic production. All sounds are organized and sorted to fit various genres like: House, Minimal, Trance, HardTechno, Dance or JumpStyle; to name few. To further boost workflow every file is branded with tempo and root key / key signature where applicable. All samples are pre-mapped to enable seamless integration into your DAW of choice. The extreme and lush textures of sound effects, synthesizer sounds and loops where created with both analog and digital hardware synthesizers. Electro Producer Pack 2 — the follow up to it‘s well known ancestor — provides 1.9 GB of full-range Electro Sounds and Samples and of course surrounding styles such as Nu Dance, House, Minimal, Trance, Techno, Dance and Breaks. These sounds are in high-demand for various professional purposes and the EPP2 content achieves optimum fidelity for this style.
I needed a fat synthesizer that could compete with loud guitar amplifiers and sound better than distorted guitar sounds. So I built the memorymoon. Memorymoon has 6 voicecards with 3 oscillators. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and VCA level to emulate the variations between voice cards in analog synthsizers. Osc1 has a drift button to do LFO drift. Unison will make a single note play from 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has multiple stages of distortion and filter2 level knob will set the overdrive gain. Filter2 has built in +/- 5% variations to emulate analog components. The distortion effect at output can be inserted at output stage, or before the filter. It is a live-instrument. Arpeggiator, osc3, LFO and delay can be synced to host clock, or you can set tempo to manual and tap the synced tempo with a button (CC97), tap with the sustain pedal, or use the tempo knob.
Messiah design is inspired by Prophet5. Messiah 2.1. It will perform well both as a live and studio instrument. It responds well to aftertouch and the mod wheel is very important when playing the Messiah synth. It has low cpu and expanded arpeggiator section that makes it a great production tool.
Unique sounds and genious basic sound stuff/ waveforms (feel free to layer!) for film, ambient and experimental musicans: virtual and nature-like atmospheres, ambient pads, biospheres, sub`n`drones, short mechanic and electronic fx (switches, beeps,..), mechaspheres, electrospheres and more… The ‘pink’ disc times out at a touch over 73 minutes and offers a huge number of soundscapes, drones and atmospheres lasting anywhere between a second and a minute in length. The first section –Ambient — is a good introduction to the type of material you can expect to find thoughout. Anyone familiar with Spectrasonics’ Distorted Reality will instantly recognise the thinking behind much of Sound Spectral, which sees sonic visionary Rene Ebenham experiment with his own form of hypnotic and creative sound design.
The Rock Solid EZX features a collection of modern drums perfectly suited for anything from classic rock to modern metal. It was recorded at the renowned Warehouse Studio in Vancouver, Canada by one of the most prolific engineers of the last two decades, Randy Staub. Randy has worked with A-list clients back to back for the past plus 20 years, mixed groundbreaking works like Metallica’s “Black Album”, Mötley Crüe’s “Dr Feelgood” and honed the sound for artists like Nickelback, Bon Jovi and Alice in Chains. Randy is beyond just an award-winning mix engineer, he’s helped define the sound of a generation.
Reason Soul School – the classic sounds of the three capitals Soul’a: Detroit, Memphis and Cincinnati. This oldskul! With Reason Soul School, Software’s funk flavored ReFill, the soulful sound of the 60’s and 70’s is up for grabs. You won’t find grooves rarer than these. The Reason Soul School ReFill explores the classic sounds coming out of soul’s three capitals: Detroit, Memphis and Cincinnati – and puts them in the midst of your Reason rack. Featuring twelve unique soul and funk instrumentals and all their musical elements – bass, drums, guitars and horns – this ReFill gets under the skin of the music. It’s like having access to every channel – every instrument – on an old school rare groove multitrack tape!
MOAR TAPES
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Pop Rock Melodies P2P | 17 January 2024 | 2.94 GB The ultimate fusion of two iconic genres – "Pop Rock Melodies"! Unleash your creative prowess with this dynami...
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Technicolours P2P | 17 January 2024 | 1.27 GB "Technicolours" is an electrifying sample pack curated, tailor-made for techno enthusiasts seeking a spectrum of s...
BRA Plugins Pack v2.6.6 MAC Team RET| 16 January 2024 | 878.3 MB The vintage breeze of classic studio equipment combined with modern day, easy to apply digital...
RHYTHMOLOGY KONTAKT FANTASTiC | 01 May 2017 | 4.76 GB Rhythmology pairs a dynamic, rhythmic sequencing and effects engine with a huge loop library comprising so...
Symmetry MULTiFORMAT P2P | 17 January 2024 | 2.11 GB Dive headfirst into the heart-pounding world of Dubstep with our latest creation, "Symmetry." This cutting-...
