Plogue Plug-Ins Bundle 2019.1 WiN
Team V.R | 30 January 2019 | 408.23 MB
(Win32/64; AAX*, RTAS, VST, VSTi STANDALONE)
Viewed 10716 By Music Producers.
Calling Zip a compressor is like calling a Lamborghini a passenger car. It does neither one justice. Zip creates unique effects and solves thorny audio challenges in a flash, leaving traditional compressors in the dust. Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—spark compression or expansion depending on the signal level, frequency content or noise feeding Zip’s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip’s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child’s play for Zip.
GRM Tools Classic VST is a bundle of eight plug-ins that provide superb tools for sound enhancement and design. Conceived and realized by the Groupe de Recherches Musicales (Musical Research Group) of the National Audiovisual Institute, Paris, France, GRM Tools is the result of more than 20 years of research and development by composers and sound designers in sound transformation software. Use these plug-ins with Cubase or any other version of a PC program that is compatible with VST plug-ins.
Emperor is part of our amplifier series, each of which brings a full guitar rig into one easy to use plugin! Emperor is inspired by a proprietary blend of modern metal legends, with a brightness and chunk that can cut through the heaviest mixes. Combined with a flexible pedal board and effects loop, as well as our Virtual Cabinet with optional IR loader, Emperor makes it easy to craft the perfect tone quickly!
HQ-2 Hybrid Equalizer is actually a 10 band multi band compressor, designed with the intuitive workflow of a graphic equalizer. The HQ-2 is built around 10 bands of RMS compression, which is useful for compressing the average level of a signal rather than the peak level. The result is a transparent compression that can bring quiet details up in the mix while achieving consistency in the tone of dynamic source material. This makes the HQ-2 ideally suited for instrument busses and the mixbus, where it can help glue your mix together. However, given the 10 bands of multi band compression and the graphic equalizer workflow, the HQ-2 is also perfect for a wide range of individual sources!
From subtle tube-style saturation to full-on mangled wavetable distortion, Grind is a Swiss Army Knife of sound design. Grind consists of three main blocks: wavetable lookup, in to algorithmic saturation/distortion/, and finally to a multi-mode filter. The wavetable module uses the amplitude of the incoming signal to replace the sample with one from 15 different linearly-interpolated wavetables, chosen for their mangling potential. Window size and phase controls provide further tone-shaping possibilities. The next stop is the algorithm module, with eleven different distortion and saturation algorithms, from simple soft-knee saturation on up to full on sine warping.
Creating voice-overs has never been easier. Adjusting the volume of a spoken word in a video can be time-consuming, we thought there could be much easier way to edit voice-overs. Just add music and SpeakUp. SpeakUp works in all audio editing software supporting automation, not in FinalCut Pro.