Plogue Chipsounds v1.6.2.5 PC-R2R

Team R2R | 2013.12.25 | 78 MB

Plogue’s new soft-synthesizer turns your VST, AU or RTAS host into a classic video game console, vintage 8bit home computer and even an 80s arcade. Plogue chipsounds authentically emulates 15 vintage 8bit-era sound chips (on top of their variants), down to their smallest idiosyncrasies. But more interestingly, it also faithfully allows you to dynamically reproduce the accidentally discovered sounds effect tricks and abusive musical techniques that were made famous by innovative chip music composers and classic video game sound designers, which for the good part of the last 3 decades, have pushed beyond the boundaries of the original chip designs. In short, whether you are already versed into chiptune/chip music or just interested in those sounds, this is one unique instrument for you!

Plogue Bidule 0.9728 MAC OSX

Plogue Bidule 0.9728 MAC OSX-5YNERGY | 68 MB

Standalone AU VST VSTi 32/64x

Bidule is a realtime modular creation studio aimed mainly at artists seeking a new creative environment to experiment with. With Bidule, you create your own live music creation environment, inserting audio and MIDI devices, ReWire Devices, VST instruments and plugins. Patching them anyway you like, in realtime, while it plays.

SForZando – A Free SFZ Player

Released By Plogue (Win & Mac) | 15 MB

Plogue has released sforzando, a freeware SFZ player virtual instrument in VST/AU/RTAS formats for Windows and Mac.

sforzando is a free SFZ player. Advanced sample hobbyists now have a powerful tool to experiment and share instruments without relying on proprietary formats.

sforzando is available for free download via Plogue (12.5MB download size, 32-bit & 64-bit VST/AU/RTAS format for Windows & Mac). The instrument was designed for working with SFZ files, however it also loads SF2 (aka SoundFont format), DLS and acidized WAV files (which instantly get converted to SFZ format).

Plogue Bidule v0.9721 x86 x64-ASSiGN

ASSiGN | 11.3.2012 | 58 MB

Bidule The new standard in modular audio software. Is this a familiar picture? Cables lead from a microphone input into a small digital effect. More cables connect the effect to a mixer. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects. It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. As he performs, a musician decides to add an LFO to a synth’s filter cutoff knob, where no LFO existed before. Sound crazy? Not anymore. The new paradigm of computer audio can be summed up in two words: “real-time” and “modular” – both of which are embodied by one application…